General Bibliography, focusing on Medieval Women and Medieval Music

Amt, Emilie, ed. Women's lives in medieval Europe: a sourcebook. New York: Routledge, 1993.

Baker, Derek, ed. Medieval Women. Oxford: B. Blackwell for the Ecclesiastical History Society, 1978.

Bennett, Judith M. "Medieval Women, Modern Women: across the great divide." Feminists Revision History. Ann-Louise Shapiro, ed. New Brunswick, N.J.: Rutgers University Press, c1994.

Blamires, Alcuin. The Case For Women in Medieval Culture. Oxford: Clarendon Press; New York: Oxford University Press, 1997.

Bolton, Brenda M. et al. Women in Medieval Society. Susan Mosher Stuard, ed. [Philadelphia]: University of Pennsylvania Press, 1976.

DuBruck, Edelgard E., ed. New Images of Medieval Women: Essays Toward a Cultural Anthropology. Lewiston, NY: E. Mellen Press, 1989.

Ennen, Edith. The Medieval Woman. Edmund Jephcott, trans. Oxford: Basil Bloackwell, 1989.

Fiero, Gloria K., Wendy Pfeffer and Mathé Allain, trans. & eds. Three medieval views of women: La Contenance des fames, Le Biend des fames, Le Blasme des fames. New Haven: Yale University Press, c1989.

Fisher, Sheila and Janet E. Halley, eds. Seeking the Woman in Late Medieval and Renaissance Writings: Essays in Feminist Contextual Criticism. Knoxville: University of Tennessee Press, c1989.

Kirshner, Julius and Suzanne F. Wemple, eds. Women of the Medieval World: Essays in Honor of John H. Mundy. Oxford, UK: New York, NY, USA: B. Blackwell, 1985.

Labarge, Margaret Wade. Women in Medieval Life: a Small Sound of the Trumpet. London: Hamilton, 1986.

Lehmann, Andrée. Le rôle de la femme dans l'histoire de France au Moyen Age. Paris: Berger-Levrault, 1952.

Levin, Carole and Jeanie Watson, eds. Ambiguous Realities: Women in the Middle Ages and Renaissance. Detroit: Wayne State University Press, 1987.

Mann, Jill. Apologies to Women: Inaugural Lecture Delivered 20th November 1990. Cambridge: Cambridge University Press, [1991].

Morewedge, Rosmarie Thee, ed. The Role of Woman in the Middle Ages: papers of the sixth annual conference of the Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton, 6-7 May 1972. London: Hodder and Stoughton, c1975.

Nicholas, David. The Domestic Life of a Medieval City: Women, Children, and the Family in fourteenth-century Ghent. Lincoln: University of Nebraska Press, c1985.

Power, Eileen Edna. Medieval Women. M. M. Postan, ed. Cambridge; New York: Cambridge University Press, 1975.

Radcliff-Umstead, Douglas, ed. The Roles and Images of Women in the Middle Ages and Renaissance. [Pittsburgh]: Center for Medieval and Renaissance Studies, Institute for the Human Sciences, c1975.

Rose, Mary Beth, ed. Women in the Middle Ages and the Renaissance: literary and historical perspectives. Syracuse, N.Y.: Syracuse University Press, 1986.

Rosenthal, Joel T., ed. Medieval Women and the Sources of Medieval History. Athens: University of Georgia Press, c1990.

Stuard, Susan Mosher, ed. Women in Medieval History & Historiography. Philadelphia: University of Pensylvania Press, 1987.

Swabey, Ffiona. Medieval Gentlewoman: life in a gentry household in the later Middle Ages. New York: Routledge, 1999.

Tobin, Rosemary Barton. Vincent of Beauvais' "De eruditione filiorum nobilium": the education of women. New York: P. Lang, c1984.

Waithe, Mary Ellen, ed. Medieval, Renaissance, and Enlightenment women philosophers, A.D. 500-1600. Dordrecht; Boston: Kluwer Academic Publishers, c1989.

Watt, Diane. Medieval Women in Their Communities. Toronto: University of Toronto Press, 1997.

Wemple, Suzanne Fonay. Women in Frankish society: marriage and the cloister, 500 to 900. Philadelphia: University of Pennsylvania Press, 1981.

Medieval Women and Religious Life

Aethelwold, Saint, Bishop of Winchester. The Monastic Agreement of the Monks and Nuns of the English Nation. Thomas Symons, trans. and ed. London: Nelson, 1953.

Beer, Frances. Women and Mystical Experience in the Middle Ages. Woodbridge, Suffolk, UK: Rochester, NY< USA: Boydell Press, 1992.

Bernstein, Mercelle. Nuns. St. Jame's Place, London: William Collins Sons & Co. Ltd., 1976

Bokenham, Osbern. A Legend of Holy Women. Sheila Delany, trans, and ed. Notre Dame, Ind.: University of Notre Dame Press, c1992.

Bornstein, Daniel and Roberto Rusconi, eds. Women and Religion in Medieval and Renaissance Italy. Margery J. Schneider, trans. Chicago: University of Chicago Press, 1996.

Brunn, Emilie Zum and Georgette Epiney-Burgard, eds. Women Mystics in Medieval Europe. Sheila Hughes, trans. 1st American ed. New York, NY: Paragon House, 1989.

Bynum, Caroline Walker. Holy Feast and Holy Fast: the religious significance of food to medieval women. Berkeley: University of California Press, c1987.

Carr, Anne, Mary Stewart Van Leeuwen, eds. Religion, Feminism, and the Family. 1st ed. Louisville, KY.: Westminster John Knox Press, c1996.

Flinders, Carol Lee. Enduring Grace: Living Portraits of Seven Women Mystics. New York: HarperCollins Publishers, 1993.

Furlong, Monica, ed. Visions & Longings: Medieval Women Mystics. Shambhala Publications, 1997. ISBN: 1570623147.

Ganck, Roger de. Beatrice of Nazareth in Her Context; Beatrice of Nazareth and the thirteenth-century mulieres religiosae of the Low Countries. 2 vols. Kalamazoo, Mich.: Cistercian Publications, c1991.

Gold, Penny Schine. The Lady & the Virgin: Image, Attitude, and Experience in Twelfth-century France. Chicago: University of Chicago Press, 1985.

Hamburger, Jeffrey F. Nuns as Artists: the visual culture of a medieval convent. Berkeley: University of California Press, c1997.

Hirsh, John C. The Revelations of Margery Kempe; paramystical practices in late medieval England. Leiden; New York: E. J. Brill, 1989.

Holloway, Julia Bolton, Constance S. Wright and Joan Bechtold, eds. Equally in God's Image: Women in the Middle Ages. New York: P. Lang, c1990.

Johnson, Penelope D. Equal in Monastic Profession: religious women in Medieval France. Chicago: University of Chicago Press, c1991.

Lawrence, C. H. "Sisters or Handmaids - The Problem of the Sisters; St. Gilbert and the Order of Sempringham; The Cistercian Nuns; A New Experiment: the Beguines." Medieval Monasticism: Forms of Religious Life in Western Europe in the Middle Ages. 2nd ed. London; New York: Longman Inc., 1989. pp. 216-237.

Lewis, Gertrud Jaron. By Women, For Women, About Women: the Sister-books of Fourteenth-century Germany. Toronto: Pontifical Institute of Mediaeval Studies, c1996.

McEntire, Sandra J. Margery Kempe: a book of essays. New York: Garland, 1992.

McNamara, Jo-Ann Kay. Sisters in Arms: Catholic nuns through two millennia. Cambridge, Mass.: Harvard University Press, 1996.

Monson, Craig A, ed. The Crannied Wall: women, religion, and the arts in early modern Europe. Ann Arbor: University of Michigan Press, c1992.

Newman, Barbara. From Virile Woman to WomanChrist: studies in medieval religion and literature. Philadelphia: University of Pennsylvania Press, c1995.

Nichols, John A. and Lillian Thomas Shank, eds. Medieval Religious Women. Vol. 1: Distant Echoes; Vol. 2: Peaceweavers. Kalamazoo, Mich.: Cistercian Publications, 1984.

Petroff, Elizabeth. Body and Soul: essays on medieval women and mysticism. New York; Oxford: Oxford University Press, c1994.

Power, Eileen Edna. Medieval English Nunneries, c. 1275 to 1535. Cambridge: University Press, 1922.

Shank, Lillian Thomas, and John A. Nichols, eds. Peaceweavers: Medieval Religious Women. Vol. 2. Kalamazoo, Mich. : Cistercian Publications, 1984.

Silvas, Anna. Jutta and Hildegard: the biographical sources. Turnhout [Belgium]: Brepols, 1998.

Talbot, Charles H, ed. and trans. The Life of Christina of Markyate: a twelfth century recluse. Toronto: Published by University of Toronto Press in association with the Medieval Academy of America, c1998.

Watt, Diane. Ed. Medieval women in their communities. Toronto : University of Toronto Press, 1997.

Wiethaus, Ulrike. Maps of Flesh and Light: the religious experience of medieval women mystics. Syracuse, N.Y.: Syracuse University Press, 1993.

Medieval Women and the Arts

Cherewatuk, Karen and Ulrike Wiethaus, eds. Dear Sister: Medieval Women and the Epistolary Genre. Philadelphia: University of Pennsylvania Press, 1993.

Collins, An. Divine Songs and Meditacions. Sidney Gottlieb, ed. Tempe, Ariz.: Medieval & Renaissance Texts & Studies, 1996.

Dronke, Peter. Women Writers of the Middle Ages: a critical study of texts from Perpetua († 203) to Marguerite Porete († 1310). Cambridge: Cambridge University Press, 1984.

Ferrante, Joan M. To the Glory of Her Sex: women's roles in the composition of medieval texts. Bloomington: Indiana University Press, c1997.

Monson, Craig A, ed. The Crannied Wall: women, religion, and the arts in early modern Europe. Ann Arbor: University of Michigan Press, c1992.

Newman, Barbara. From Virile Woman to WomanChrist: studies in medieval religion and literature. Philadelphia: University of Pennsylvania Press, c1995.

Smith, Lesley, and Jane H. M. Taylor, eds. Women and the Book: assessing the visual evidence. London: British Libray; Toronto; Buffalo: University of Toronto Press, 1997.

Smith, Susan Louise. The Power of Women: a topos in medieval art and literature. Philadelphia: University of Pennsylvania Press, c1995.

Sponsler, Lucy A. Women in the Medieval Spanish Epic & Lyric Traditions. Lexington: University Press of Kentucky, c1975.

Thiébaux, Marcelie, trans. The Writings of Medieval Women: an anthology. 2nd ed. New York: Garland Publications, 1994.

Waithe, Mary Ellen, ed. Medieval, Renaissance, and Enlightenment Women Philosophers, A.D. 500-1600. Dordrrecht; Boston: Kluwer Academic Publishers, c1989.

Wilson, Katharina, M. Medieval Women Writers. Athens, Ga.: University of Georgia Press, c1984.

Medieval Instruments and Performance Styles

Crane, Frederick. Extant Medieval Musical Instruments: A Provisional Catalogue by Types. Over 550 brief descriptions of the surviving medieval musical instruments in art and archeological museums. Iowa City, Iowa: University of Iowa Press, 1972.

McGee, Timothy J. Medieval and Renaissance Music: A Performer's Guide. Toronto; Buffalo, N.Y.: University of Toronto Press, 1985; reprinted 1988. London: Scolar Press, 1990.

Page, Christopher. Voices and Instruments of the Middle Ages: Instrumental Practice and Songs in France, 1100-1300. Berkeley: University of California Press, 1986; London: Dent, 1987.

Medieval Music

Apel, Willi. Gregorian Chant. Bloomington: Indiana University Press, [1958].

Bernard, of Clairvaux, Saint, 1090 or 91-1153. Cisterciensis Ordinis ecclesiae cantare / scriptus ab auctore incerto Cisterciense (Letter of Sain Bernard of Clairvaux On Revision of Cistercian Chant). Francisco J. Guentner, ed. Text in English and Latin; editorial matter in English. [s.l.]: American Institute of Musicology, c1974.

Boone, Graeme M., ed. Essays on Medieval Music: in honor of David G. Hughes. Cambridge, Mass.: Harvard University Dept. of Music, 1994.

Caldwell, John. Medieval Music. London: Hutchinson, 1978.

Everist, Mark, ed. Models of Musical Analysis: Music before 1600. Oxford: Basil Blackwell, 1992.

Flynn, William T. Medieval Music As Medieval Exegesis. Lanham, Md.: Scarecrow Press, 1999.

Hiley, David. Western Plainchant: a handbook. Oxford [England]: Clarendon Press; New York: Oxford University Press, 1993.

Hoppin, Richard H. Medieval Music. 1st ed. Norton introduction to music history series. New York: W. W. Norton, 1978.

Hughes, Andrew. Medieval Manuscripts for Mass and Office: A Guide to their Organization and Terminology. Toronto; Buffalo, N.Y.: University of Toronto Press, c1982.

Hughes, Andrew. Medieval Music: the sixth liberal art. Rev. ed. Toronto; Buffalo: University of Toronto Press, 1980.

Hughes, Andrew. Style and Symbol: Medieval Music, 800-1453. Ottawa: Institute of Medieval Music, 1989.

Jacques, de Vitry, ca. 1170-1240. Lettres de Jacques de Vitry (1160/1170-1240), évêque de Saint-Jean d=Arcre: édition critique. Text in Latin, critical matter in French. Includes bibliographical references and index. Leiden: E.J. Brill, 1960.

Jeffery, Peter. Re-envisioning Past Musical Cultures: ethnomusicology in the study of Gregorian chant. Chicago: University of Chicago Press, 1992.

Kelly, Thomas Forrest. The Beneventan Chant. Cambridge [England]; New York: Cambridge University Press, 1989.

Kelly, Thomas Forrest, ed. Plainsong in the Age of Polyphony. Cambridge; New York: Cambridge University Press, 1992.

Levy, Kenneth. Gregorian Chant and the Carolingians. Princeton, N.J.: Princton University Press, c1998.

Marrocco, W. Thomas, and Nicholas Sandon. Medieval Music. The Oxford anthology of music. Texts in original languages with English translations. London: Oxford University Press, c1977.

Murray, Gregory. Gregorian Chant, According to the Manuscripts. London, L. J. Cary; sole distributors for the book trade; Methuen, London [1963].

Page, Christopher. Discarding Images: Reflections on Music and Culture in Medieval France. Oxford [England] : Clarendon Press ; New York : Oxford University Press, 1993. ML 270.2 .P22 1993.

Pirrotta, Nino. "Medieval. The Middle Ages (Fr. Moyen âge; Ger. Mittelalter; It. Medioevo)." The New Grove Dictionary of Music and Musicians. Stanley Sadie, ed. Vol. 12. Contents: Origin of the term and chronology; The central experience of plainsong; Music of the clergy and music of the laity; Rhythm and the music of scholasticism; The transition to the Renaissance. London: Macmillan Publishers Limited, 1980. pp. 15-20.

Ward, Justine Bayard. Gregorian Chant Practicum: based on Music fourth year - Gregorian chant. Prepared by Theodore Marier and an international committee of Ward method teachers. Washington, D.C.: Published for the Centre for Ward Method Studies by the Catholic University of America Press, c1990.

Weber, J. F., compiler. A Gregorian Chant Discography. 2 vols. Utica, N.Y.: J. F. Weber, 1990.

Werf, Hendrik van der. The Emergence of Gregorian Chant: a comparative study of Ambrosian, Roman, and Gregorian chant. Rochester, N.Y.: H. van der Werf, 1983- .

Wilhelm, James J., trans. and ed. Medieval Song: an anthology of hymns and lyrics. 1st ed. New York, Dutton, 1971.

Medieval Music: Dramas

Axton, Richard. Medieval French Plays. Richard Axton and John Stevens, trans. Oxford [England]: B. Blackwell, 1971.

Brockett, Clyde W. et al. The Saint Play in Medieval Europe. Clifford Davidson, ed. Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1986.

Davidson, Audrey Ekdahl and Clifford Davidson. Performing Medieval Music Drama. Kalamazoo, Mich.: Published for the Society for Old Music by Medieval Institute Publications/Western Michigan University, c1998.

Elliott, Jr., John R. and Graham A. Runnalls, eds. and trans. The Baptism and Temptation of Christ: the first day of a medieval French passion play. New Haven: Yale University Press, 1978.

Frank, Grace. The Medieval French Drama. From corrected sheets of the first edition. Oxford: Clarendon Press, 1960.

Hopper, Vincent Foster. Medieval Mystery Plays: Abraham and Isaac, Noah's flood, The second shepherd's play; morality plays: The castle of perseverance, Everyman; and interludes: Johan, the husband, the four PP. Vincent F. Hopper and Gerald B. Lahey, eds. Great Neck, N.Y.: Barron's Educational Series, [1962].

Rankin, Susan. The Music of the Medieval Liturgical Drama in France and England. New York: Garland, 1989.

Riggio, Milla Cozart. The Widsom Symposium: papers from the Trinity College Medieval Festival. New York: AMS Press, c1986.

Rolland, Joachim. Le théâtre comique en France avant le 15e siècle. Reprint of edition Paris, 1926. Genève: Slatkine Reprints, 1972.

Smoldon, William Lawrence. The Music of the Medieval Church Dramas. Cynthia Bourgeault, ed. London; New York: Oxford University Press, 1980.

Stevens, John with Jack Sage, III. "Medieval Drama." The New Grove Dictionary of Music and Musicians. Stanley Sadie, ed. Vol. 12. Contents: Introduction (Definitions, genres and scholarship; Elements and traditions of medieval music drama); Liturgical drama (Chronology and distribution; the repertory: dramatic and musical material; the repertory: dramatic presentation; sources; notations and problems of transcription; musical style and musical structure; interpretation and performance); Vernacular drama (introduction and presentation; early and miscellaneous plays; the main traditions); Medieval drama in Eastern Europe; The end of the Middle Ages. London: Macmillan Publishers Limited, 1980. pp. 21-58.

Stevens, John E. Words and Music in the Middle Ages: song, narrative, dance, and drama, 1050-1350. Cambridge [Cambridgeshire]; New York: Cambridge University Press, 1986.

Wickham, Glynne William Gladstone. The Medieval Theatre. 3rd ed. Cambridge [Cambridgeshire]; New York: Cambridge University Press, 1987, c1974.

Medieval Music: Secular

Baltzer, Rebecca A., Thomas Cable, and James I. Wimsatt, eds. The Union of Words and Music in Medieval Poetry. Book and cassette. Austin : University of Texas Press, 1991.

Brownlee, Kevin. Poetic Identity in Guillaume de Machaut. Madison, Wis.: University of Wisconsin Press, 1984.

Collins, Jr, Fletcher, Robert F. Cook and Roger Harmon, eds. and transcribers. A Medieval Song Book: troubadour & trouvère. 1st ed. Charlottesville: University Press of Virginia, c1982.

Faral, Edmond. Les jongleurs en France au moyen âge. 2nd ed. Paris: H. Champion, 1964.

Faral, Edmond. Les jongleurs en France au moyen âge. Reprint of 1910 ed. New York, B. Franklin, [1970].

Goldron, Romain. Minstrels and Masters. [n.p.] History of music, v. 3. Translation of Triomphe de la polyphonie. H. S. Stuttman Co.; distributed by Doubleday [1968].

Hughes, Anselm and Gerald Abraham, eds. Ars Nova and the Renaissance, 1300-1540. London: Oxford University Press, [1969, c1960].

Switten, Margaret Louise. Music and Poetry in the Middle Ages: A Guide to Research on French and Occitan Song, 1100-1400. New York: Garland, 1995.

Tischler, Hans, compiler and ed. A Medieval Motet Book: a collection of 13th century motets in various vocal and instrumental combinations. New York: Associated Music Publishers, c1973.

Vitry, Philippe de. Ars Nova. Gilbert Reaney, André Gilles and Jean Maillard, eds. Text in Latin and French. Introduction, etc., in English or French. [Rome?]: American Institute of Musicology, 1964.

Werf, Henrik van der. Integrated Directory of Organa, Clausulae and Motets of the Thirteenth Century. Rochester, N.Y.: H. van der Werf, 1989.

Wilkins, Nigel. The Lyric Art of Medieval France. 2nd ed. Fulbourn, Cambs. : New Press, c1989.

Medieval Music: Manuscripts

Borders, James. Early Medieval Chants From Nonantola. Recent researches in the music of the Middle Ages and early Renaissance. V. 30-33. pt. 1 Ordinary chants and tropes; pt. 2. Proper chants and tropes - pt. 3. Processional chants - pt. 4. Sequences. Madison, WI: A-R Editions, c1996-.

Catholic Church. High Mass and Sunday Vespers, as Sung in Most of the Different Roman Catholic Chapels Throughout the United Kingdom. 2nd ed., with considerable additions. Dublin: Wogan, 1808.

Gillingham, Bryan, compiler. Medieval Polyphonic Sequences: an anthology. Wissenschaftliche Abhandlungen (Institute of Mediaeval Music) Bd. 45. For 1-3 voices. Latin words. Ottawa, Canada: Institute of Mediaeval Music, c1985.

Guillaume, de Machaut, ca. 1300-1377. La Louange des Dames. Collection of 282 lyric poems, with musical settings for 22 poems by Machaut. New York: Barnes & Noble, 1973, c1972.

Hildegard, Saint, 1098-1179. Three Antiphons. De Virginibus, no. 38; In evangelium, no. 44; O Pastor animarum, no. 61. Pozzi Escot, transcriber and trans. Bryn Mawr, Pa.: Hildegard Pub. Co., c1990.

Husmann, Heinrich. Medieval Polyphony. Musikwerk (Anthology of Music) no. 9. Contents: The Beginnings; thirteenth-century Aars antiqua@; Fourteenth-century Aars nova@. Robert Kolben, trans. Cologne: Arno Volk Verlag, [1962].

Schrade, Leo. Polyphonic Music of the Fourteenth Century. Monaco: Editions de l'Oiseau-Lyre, c1956-c1991.
v. 1. The Roman de Fauvel ; The works of Philippe de Vitry ; French cycles of the Ordinarium Missae; v. 2-3 - The works of Guillaume de Machaut; v. 4 - The works of Francesco Landini; v. 5 - Motets of French provenance; v. 6 - Italian secular music / by Magister Piero, Giovanni da Firenze, Jacopo da Bologna; v. 7 - Italian secular music / by Vincenzo da Rimini ... [et al.]; v. 8 - Italian secular music : anonymous madrigals and cacce, and the works of Niccolò da Perugia; v. 9 - Italian secular music / Bartolino da Padova ... [et al.]; v. 10 - Italian secular music / Andrea da Firenze ... [et al.]; v. 11. Italian secular music; v. 12 - Italian sacred music; v. 13 - Italian sacred and ceremonial music; v. 14 - English music of the thirteenth and early fourteenth centuries; v. 15 - Motets of English provenance; v. 16 - English music for Mass and offices (I); v. 17 - English music for Mass and offices (II) and music for other ceremonies; v. 18-22 - French secular music; v. 23A-23B - French sacred music; v. 24 - The works of Johannes Ciconia.

Medieval Women Making Music

Beck, Eleanora M. "Women and Trecento Music." Women Composers: Music Through the Ages. Vol. 1: Composers Born Before 1599. Martha Furman Schleifer and Sylvia Glickman, eds. New York: G. K. Hall, 1996. pp. 73-77.

Collins, An. Divine Songs and Meditacions. Sidney Gottlieb, ed. Tempe, Ariz.: Medieval & Renaissance Texts & Studies, 1996.

Marshall, Kimberly, ed. "Symbols, Performers, and Sponsors: female musical creators in the late Middle Ages." Rediscovering the Muses: women's musical traditions. Kimberly Marshall, ed. Boston: Northeastern University Press, c1993.

Monson, Craig A, ed. The Crannied Wall: women, religion, and the arts in early modern Europe. Ann Arbor: University of Michigan Press, c1992.

Plummer, John F, ed. Vox Feminae: studies in medieval woman's songs. Kalamazoo, Mich.: Medieval Institute Publlications, Western Michigan University, 1981.

Sadie, Julie Anne and Rhian Samuel, eds. The Norton/Grove Dictionary of Women Composers. New York; London: W. W. Norton & Company, 1995.

Schleifer, Martha Furman and Sylvia Glickman, eds. Women Composers: Music Through the Ages. Vol. 1: Composers Born Before 1599. New York: G. K. Hall, 1996.

Yardley, Anne Bagnall. "Was Anonymous a Woman?" Women Composers: Music Through the Ages. Vol. 1: Composers Born Before 1599. Martha Furman Schleifer and Sylvia Glickman, eds. New York: G. K. Hall, 1996. pp. 69-72.

Medieval Women Making Music: Secular

Bogin, Meg. The Women Troubadours. New York : Paddington Press, c1976.

Bruckner, Matilda Tomaryn, Laurie Shepard and Sarah White, eds & transl. Songs of the Women Troubadours. New York : Garland Publ., 1995.

Coldwell, Maria V. "Jougleresses and Trobairitz: Secular Musicians in Medieval France." Women Making Music: the Western Art Tradition, 1150-1950. Jane Bowers and Judith. Tick, eds. Urbana; Chicago: University of Illinois Press, c1986.

Earnshaw, Doris. The Female Voice in Medieval Romance Lyric. New York: P. Lang, c1988.

Nappholz, Carol Jane. Unsung Women: The Anonymous Female Voice in Troubadour Poetry. New York : P. Lang, c1994.

Paden, William D. ed. The Voice of the Trobairitz: Perspectives on the Women Troubadours. Philadelphia : University of Pennsylvania Press, c1989.

Medieval Women Making Music - Individuals (born prior to the 15th century)

Alamanda
Coldwell, Maria V. "Alamanda (fl. late 12th century). Troubadour." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 6.

Azalais de Porcairages
Coldwell, Maria V. "Azalais de Porcairages (fl. mid-12th century). Troubadour." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 28.

Beatriz de Dia
Coldwell, Maria V. and Ian R. Parker. "Beatriz de Dia ['Comtessa' de Dia] (fl. late 12th century). Troubadour." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 51-52.
Evans, Beverly J. "Countess of Dia (mid- to late-twelfth century)." Historical Anthology of Music by Women. "A Chantar," troubadour song. Bloomington; Indianapolis: Indiana University Press, 1987. pp. 11-13.
Phan, Chantal. "The Comtessa de Dia (fl. 12th c.) and the Trobairitz." Women Composers: Music Through the Ages. Vol. 1: Composers Born Before 1599. Martha Furman Schleifer and Sylvia Glickman, eds. Contents: AA chanter m=er@ (The Comtessa de Dia); ALoncx temps ai avut Cossiners@ (Raimon de Miraval); AEstat ai@ (The Comtessa de Dia). New York: G. K. Hall, 1996. pp. 61-68.

Birgitta of Sweden
Holloway, Julia Bolton. "Saint Birgitta of Sweden and Briggitine Music (ca. 1303-73)." Women Composers: Music Through the Ages. Vol. 1: Composers Born Before 1599. Martha Furman Schleifer and Sylvia Glickman, eds. New York: G. K. Hall, 1996. pp. 78-83.

Blanche of Castile
Coldwell, Maria V. "Blanche of Castile (b. 1188; d. 1252). Spanish-French trouvère." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 66.

Castelloza
Coldwell, Maria V. "Castelloza (fl. early 13th century). Troubadour." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 109.

Garsenda
Coldwell, Maria V. "Garsenda, Countess of Provence (fl. early 13th century). Troubadour." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 183.

Hildegard von Bingen

Bent, Ian D. "Hildegard of Bingen (b. Bemersheim, nr Alzey, Rheinhessen, 1098; d. Rupertsberg, nr Bingen, 17 Sept 1179). German abbess of Rupertsberg, mystic, writer and composer." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. pp. 217-21.

Berger, Margret, trans. and ed. Hildegard of Bingen: on natural philosophy and medicine: selections from Cause et Cure. Cambridge; Rochester, N.Y.: D.S. Brewer, 1999.

Davidson, Audrey Ekdahl, ed. The "Ordo virtutum" of Hildegard of Bingen: critical studies. Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1992.

Davidson, Audrey Ekdahl. "The Ordo Virutum." Women Composers: Music Through the Ages. Vol. 1: Composers Born Before 1599. Martha Furman Schleifer and Sylvia Glickman, eds. Contents: AFlos campi: No. 38"; AGaudete, O socii: No. 80"; AProcession: In principio: No. 87.@ New York: G. K. Hall, 1996. pp. 51-60.

Flanagan, Sabina. Hildegard of Bingen, 109-1179: a visionary life. 1st paperback ed. London; New York: Routledge, c1990.

Gottfried of Disibodenberg and Theodoric of Echternach. The Life of the Saintly Hildegard. Hugh Feiss, ed. and trans. Toronto: Peregrina Pub., 1996.

Hildegard of Bingen. Hildegardis Bingensis epistolarium. L. Van Acker, ed. Latin text; introd. in German. Turnholti: Typographi Brepols Editores Pontificii, 1991-.

Jeskalian, Barbara Jean. "Hildegard von Bingen (1098-1179)." Historical Anthology of Music by Women. "De Sancta Maria," chant sequence; "In Evangelium," chant antiphon; "Kyrie," mass ordinary chant. Bloomington; Indianapolis: Indiana University Press, 1987. pp. 6-10.

Newman, Barbara. Sister of Wisdom: St. Hildegard's theology of the feminine. Berkeley: University California Press, c1987.

Pfau, Marianne Richert. "Hildegard von Bingen (1098-1179) - Biography." Women Composers: Music Through the Ages. Vol. 1: Composers Born Before 1599. Martha Furman Schleifer and Sylvia Glickman, eds. New York: G. K. Hall, 1996. pp. 25-29.
Pfau, Marianne Richert. "Five Responsories, Sequences, and Hymns from the Symphonia." Women Composers: Music Through the Ages. Vol. 1: Composers Born Before 1599. Martha Furman Schleifer and Sylvia Glickman, eds. Contents: "Vos flores rosarum"; "O clarissma mater"; "O lucidissima apostolorum turba"; "Cum vox sanguinis"; "O Ecclesia." New York: G. K. Hall, 1996. pp. 30-50. Pfau, Marianne Richert. Hildegard von Bingen's Symphonia armonie celestium revalationum: an analysis of musical process, modality, and text-music relations. Thesis (Ph.D.). State University of New York at Stony Brook, 1990.

Silvas, Anna. Jutta and Hildegard: the biographical sources. Turnhout [Belgium]: Brepols, 1998.

Singer, Charles Joseph. From Magic to Science: essays on the scientific twilight. New York: Dover Publications, [1958]. (Subjects: Gildas, Hildegard, etc.)

Sur, Carolyn Wörman. The Feminine Images of God in the Visions of Saint Hildegard of Bingen's 'Scivias'. Lewiston, N.Y.: E. Mellen Press, c1993.

Vita Sanctae Hildegardis / curante CETEDOC, Universitas Catholica Lovaniensis Lovanii Novi. Turnhout: Brepols, 1993.

Kassia
Touliatos-Banker, Diane. "Kassia (810-?)." Historical Anthology of Music by Women. "Angustus, the Monarch," Byzantine chant; "The Fallen Woman," Byzantine chant. Bloomington; Indianapolis: Indiana University Press, 1987. pp. 1-5.
Touliatos, Diane. "Kassia [Kasia, Eikasia, Ikasia; Kasiane, Kassiane] (b. 810). Byzantine-Greek composer." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. pp. 247-48.
Touliatos, Diane. "Kassia (ca. 810 - ca. 843-867)." Women Composers: Music Through the Ages. Vol. 1: Composers Born Before 1599. Martha Furman Schleifer and Sylvia Glickman, eds. Contents: Biography; "Edessa Rejoices"; "The Five-stringed Lute and Fivefold Lamp"; "Above the Teachings of the Greeks"; "Let Us Praise Peter and Paul." New York: G. K. Hall, 1996. pp.

Lorraine
Coldwell, Maria V. "Lorraine, Duchess of (fl. early 13th century). Trouvère." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 289.

Margot and Maroie
Coldwell, Maria V. "Margot, Dame and Maroie, Dame (fl. 13th century). Trouvères from Arras." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 313.
Maria de Ventadorn
Coldwell, Maria V. "Maria de Ventadorn (fl. late 12th century). Patron and troubadour (one song?)." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 314.

Maroie de Dregnau de Lille
Coldwell, Maria V. "Maroie de Dregnau de Lille (fl. 13th century). Trouvère." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 315.

Sahakduxt
Arzruni, Ôahan. "Sahakduxt (fl. early 8th century). Armenian hymnographer, poet and pedagogue." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. pp. 400-401.

Sappho
Borthwick, E. Kerr. "Sappho (b Lesbos, 7th century BC). Greek lyric poet." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. pp. 404-405.

Tibors
Coldwell, Maria V. "Tibors (fl. mid-12th century). Troubadour." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 460.

Xostroviduxt [Khosrovidukht]
Arzruni, Ôahan. "Xostroviduxt [Khosrovidukht] (fl. early 8th century). Armenian hymnographer and poet." The Norton/Grove Dictionary of Women Composers. Julie Anne Sadie and Rhian Samuel, eds. New York; London: W. W. Norton & Company, 1995. p. 506.

 

 
   

Copyright: McMaster University, 2000